Visit of Red Fort New Delhi India was memorable, Red Fort included in the World Heritage List.Red Fort architectural development initiated in 1526 AD by the first Mughal Emperor.
By;Asghar Ali Mubarak
The recent visit of New Delhi India was very memorable ,specially the visit of Red Fort Delhi was historical.The Red Fort, Delhi is also known as Red Fort the king Shahjahanin 1638 transferred his capital from Agra to Delhi and laid the foundations of Shahjahanabad, the seventh city of Delhi. It is enclosed by a rubble stone wall, with bastions, gates and wickets at intervals. Of its fourteen gates, the important ones are the Mori, Lahori, Ajmeri, Turkman, Kashmiri and Delhi gates, some of which have already been demolished. His famous citadel, the Lal-Qila, or the Red Fort, lying at the town’s northern end on the right bank or the Yamuna and south of Salimgarh, was begun in 1639 and completed after nine years. The Red Fort is different from the Agra fort and is better planned, because at its back lies the experience gained by Shahjahan at Agra, and because it was the work of one hand. It is an irregular octagon, with two long sides on the east and west, and with two main gates, one on the west and the other on the south, called Lahori and Delhi gates respectively. While the walls, gates and a few other structures in the fort are constructed of red sandstone, marble has been largely used in the palaces.From the western gateway after passing through the vaulted arcade, called Chhatta-Chowk, one reaches the Naubat- or Naqqar-Khana (‘Drum-house’), where ceremonial music was played and which also served as the entrance to the Diwan-i-‘Am. Its upper storey is now occupied by the Indian War Memorial Museum.The Diwan-i-‘ Am (‘Hall of Public Audience’) is a rectangular hall, three aisle deep, with a façade of nine arches. At the back of the hall is an alcove, where the royal throne stood under a marble canopy, with an inlaid marble dias below it for the prime minister. The wall behind the throne is ornamented with beautiful panels of pietra dura work, said to have been executed by Austin de Bordeaux, a Florentine artist. Orpheus with his lute is represented in one of the panels here. Originally there were six marble palaces along the eastern water front. Behind the Diwan-i-‘ Am but separated by a court is the Rang-Mahal (‘Painted Palace’), so called owing to coloured decoration on its interior. It consists of a main hall with an arched front, with vaulted chambers on either end. A water-channel, called the Nahr-i-Bihisht (‘Stream of Paradise’), ran down through it, with a central marble basin fitted with an ivory fountain. The Mumtaz-Mahal, originally an important apartment in the imperial seraglio, now houses the Delhi Fort Museum.The Diwan-i-Khass (‘Hall of Private Audience’) is a highly-ornamented pillared hall, with a flat ceiling supported on engrailed arches. The lower portion of its piers is ornamented with floral pietra dura panels, while the upper portion was originally gilded and painted. Its marble dias is said to have supported the famous Peacock Throne, carried away by the Persian invader Nadir Shah.
The Tasbih-Khana (‘chamber for counting beads for private prayers’) consists of three rooms, behind which is the Khwabgah (‘sleeping-chamber’). On the northern screen of the former is a representation of the Scales of Justice, which are suspended over a crescent amidst stars and clouds. Adjoining the eastern wall of the Khwabgah is the octagonal Muthamman-Burj, from where the emperor appeared before his subjects every morning. A small balcony, which projects from the Burj, was added here in 1808 by Akbar Shah II, and it was from this balcony that King George V and Queen Mary appeared before the people of Delhi in December 1911. The Hammam (‘Bath’) consists of three main apartments divided by corridors. The entire interior, including the floor, is built of marble and inlaid with coloured stones. The baths were provided with ‘hot and cold water’, and it is said that one of the fountains in the easternmost apartment emitted rose water. To the west of the Hammam is the Moti-Masjid (‘Pearl Mosque’), added later by Aurangzeb. The Hayat-Bakhsh-Bagh (‘Life-giving garden’), with its pavilions, lies to the north of the mosque, and was later considerably altered and reconstructed. The red-stone pavilion in the middle of the tank in the centre of the Hayat-Bakhsh-Bagh is called Zafar-Mahal and was built by Bahadur Shah II in about 1842.In 1644, Shahjahan commenced in Delhi his great mosque, the Jami’- Masjid the largest mosque in India, and completed it in 1650. Its square quadrangle with arched cloisters on the sides and a tank in the centre is 100 m. wide. Built on a raised plinth, it has three imposing gateways approached by long flights of steps. Its prayer-hall, with a facade of eleven arches, flanked by a four-storeyed minaret on either end, is covered by three large domes ornamented with alternating stripes of ‘black and white marble. The entry fee for theCitizens of India and visitors of SAARC Pakistan Bangladesh, Nepal, Bhutan, Sri Lanka, , Maldives and Afghanistan) and BIMSTEC Countries, Nepal, Bhutan, Sri Lanka, Thailand and Myanmar are Rs.10 per head.The Red Fort Complex is a layered expression of both Mughal architecture and planning, and the later British military use of the forts. The most dramatic impacts on the integrity of the Red Fort Complex come from the change of the river into a major road, which alters the relationship of the property to its intended setting; and from the division of the Salim garh Fort by a railway. Nevertheless the Salim garh Fort is inextricably linked to the Red Fort in use and later history. The integrity of the Salim garh Fort can only be seen in terms of its value as part of the overall Red Fort Complex. The authenticity of the Mughal and British buildings in the Red Fort Complex is established, although more work is needed to establish the veracity of the current garden layout. In the specific case of the Salim garh Fort, the authenticity of the Mughal period is related to knowledge of its use and associations, and of the built structures dating from the British period. The planning and design of the Red Fort represents a culmination of architectural development initiated in 1526 AD by the first Mughal Emperor and brought to a splendid refinement by Shah Jahan with a fusion of traditions: Islamic, Persian, Timurid and Hindu. The innovative planning arrangements and architectural style of building components as well as garden design developed in the Red Fort strongly influenced later buildings and gardens in Rajasthan, Delhi, Agra and further afield. The Red Fort has been the setting for events which have had a critical impact on its geo-cultural region. The final flourishing of Mughal architecture built upon local traditions but enlivened them with imported ideas, techniques, craftsmanship and designs to provide a fusion of Islamic, Persian, Timurid and Hindu traditions. The Red Fort demonstrates the outstanding results this achieved in planning and architecture. The innovative planning arrangements and architectural style of building components and garden design developed in the Red Fort strongly influenced later buildings and gardens in Rajasthan, Delhi, Agra and further afield. The Red Fort Complex also reflects the phase of British military occupation, introducing new buildings and functions over the earlier Mughal structures. The Red Fort has been a symbol of power since the reign of Shah Jahan, has witnessed the change in Indian history to British rule, and was the place where Indian independence was first celebrated, and is still celebrated today. The Red Fort Complex has thus been the setting of events critical to the shaping of regional identity, and which have had a wide impact on the geo-cultural region. The Red Fort Complex was built as the palace fort of Shahjahanabad – the new capital of the fifth Mughal Emperor of India, Shah Jahan. Named for its massive enclosing walls of red sandstone, it is adjacent to an older fort, the Salimgarh, built by Islam Shah Suri in 1546, with which it forms the Red Fort Complex. The private apartments consist of a row of pavilions connected by a continuous water channel, known as the Nahr-i-Behisht (Stream of Paradise). The Red Fort is considered to represent the zenith of Mughal creativity which, under the Shah Jahan, was brought to a new level of refinement. The planning of the palace is based on Islamic prototypes, but each pavilion reveals architectural elements typical of Mughal building, reflecting a fusion of Persian, Timurid and Hindu traditions The Red Fort’s innovative planning and architectural style, including the garden design, strongly influenced later buildings and gardens in Rajasthan, Delhi, Agra and further afield.The nominated property has been declared a monument of national importance under the Ancient Monument and Archaeological Sites and Remains Act, 1959. A buffer zone has been established. Although the state of conservation of the property has improved over the past ten years, much more work is needed to put the overall state of the property into a stable condition and to ensure visitors do not contribute to its decay. The Red Fort Complex is managed directly by the Archaeological Survey of India, which is also responsible for the protection of all national level heritage sites in India and Indian cultural properties included in the World Heritage List.
